Kathrine G. McGovern College of the Arts Box Office
Open remotely by phone or email, Monday through Friday, 9:00 a.m. - 5:00 p.m. or on-site one hour prior to event start times.
The Blaffer Art Museum is proud to present the exhibition Standing In by Jamaica-born, New York-based artist Paul Anthony Smith who makes photo-based works that push back against the medium’s inherently predatory dimensions while simultaneously introducing a network of added layers to navigate.
Martinez (they/them/their) creates immersive, spellbinding paintings that explore ideas of place, climate, landscape, and personhood through unconventional methods of applying and interlaying various materials, textures, and hues on canvas. Their signature style of abstract painting features viscerally tactile and spatial atmospheres created with physical ingredients like fabric rags, recycled clothing, and crushed stone that reveal discordant visual intersections of destruction and emergence.
For over a decade, Jacolby Satterwhite has used 3D animation, sculpture, performance, painting, and photography to create fantastical, labyrinthine universes. Exploring the themes of public space, the body, ritual, and community, Satterwhite draws from an extensive set of references guided by queer theory, Modernist tropes, and video game languages to challenge conventions of Western art through a personal and political lens. An equally significant influence is his late mother, Patricia Satterwhite, who lived with schizophrenia and made ethereal vocal recordings as well as drawings and diagrams for visionary household products throughout Satterwhite’s childhood. His mother’s work often serves as the source material within a decidedly complex structure of memory and mythology.
Angela Dufresne is a painter and video artist originally from Connecticut. She was raised in Olathe, Kansas, the town Dick and Perry stopped in before they killed the Clutters (In Cold Blood). She lives and works in Brooklyn, NY and sometimes can be found in the Catskills. She received the first college degree in her family lineage. Her work articulates non-paranoid, porous ways of being in a world fraught by fear, power and