Kathrine G. McGovern College of the Arts Box Office
Contact Info
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713-743-3388
Open remotely by phone or email, Monday through Friday, 9:00 a.m. - 5:00 p.m. or on-site one hour prior to event start times.
Exhibition Info
Intimate confession is a project
curated by Jennifer Teets
October 27, 2023—March 10, 2024
Intimate confession is a project is a group exhibition that considers transmission, intergenerational life, and cultural inheritance through the prism of intimacy and infrastructure. Through the work of eleven artists spanning generations and geographies, the exhibition thinks through infrastructure as an intimate holding cell, capable of affective and affirmative power.
Please join the Moores School of Music for cookies and a mid-day concert in the Lobby of the Moores Opera House. Free event.
The juxtaposition of “intimacy” and “infrastructure” might seem paradoxical: Infrastructure is, by definition, composed of material and immaterial relations that interchange or express movement. It’s the structures that make society operate (government, education, hospitals, power stations, cables, pipelines, etc.) and it enables, sustains, and/or enhances societal living conditions—until it ruptures. Intimacy, on the other hand, is a term of unbound meaning. It is a synonym for proximity or close relations. Intimate relations imply affect, or a looking inward, often embodied, private, and psychological. And yet, these two rubrics have been together animating conversations around relational life as of late, especially in the work of a number of artists.
Diving into both concepts through the participatory role of language, affect, and infrastructural studies, the panel brings together notable scholars and poets Juliana Spahr (Mills at Northeastern University), Ara Wilson (Duke University), Kai Bosworth (Virginia Commonwealth University) and Roberto Tejada (University of Houston) with moderation by Jennifer Teets (Mitchell Center Visiting Artist and Curator) and Michael D. Snediker (University of Houston) acting as respondent.
Intimacy/Infrastructure is presented in conjunction with Intimate confession is a project, a group exhibition currently on view at Blaffer Art Museum that considers transmission, intergenerational life, and cultural inheritance through the prism of intimacy and infrastructure. It is a collaboration between multiple University of Houston academic programs and centers: the Mitchell Center, Blaffer Art Museum, Women’s, Gender & Sexuality Studies Program and the Department of English.
The Moores School of Music presents a studio recital by the students of Anthony Kitai (cello).
The
Moores
School
of
Music
proudly
presents
an
enchanting
guest
recital
featuring
pianist
Ryan
Fogg.
The
playing
of
pianist
Ryan
Fogg
has
been
described
as
“brilliant,
with
a
high
level
of
polish,
impressive
technical
command,
musical
understanding
and
sensitivity.”
He
has
presented
solo
recitals
in
New
York,
California,
Michigan,
Iowa,
Nebraska,
Missouri,
Illinois,
Kansas,
Indiana,
Texas,
Oklahoma,
Arkansas,
Mississippi,
Georgia,
Tennessee,
Alabama,
North
Carolina,
South
Carolina,
Kentucky,
Virginia,
Ohio,
West
Virginia,
and
Washington,
D.C.
He
will
make
his
Carnegie
Hall
debut
in
April
2024
at
Weill
Recital
Hall.
To
learn
more
about
Fogg
and
his
accomplishments,
please
visit:
ryanfogg.weebly.com/bio.html
Twelfth
Night
Directed
by
Elizabeth
Bunch