Kathrine G. McGovern College of the Arts Box Office
Contact Info
Call Us:
713-743-3388
Open remotely by phone or email, Monday through Friday, 9:00 a.m. - 5:00 p.m. or on-site one hour prior to event start times.
Hodge-Kerr
is
a
collaboration
between
Houston-based
artist
and
impresario
Robert
Hodge
and
Austin-based
musician
and
artist
Tim
Kerr.
Individually,
their
work
is
steeped
in
the
rich
history
between
music
and
pop
culture,
and
they
share
a
deep
interest
in
racial
equality
and
human
rights.
With
mutual
admiration
and
converging
interests,
from
color
palette
to
messaging
to
medium,
they
have
come
together
to
entwine
a
creative
vision.
Hodge
brings
his
musically
inspired
collage
work
using
screenprinting,
stencils,
stitching
and
record
covers
to
survey
the
jazz
landscape
and
southern
hip
hop
culture.
Kerr
translates
his
musical
history
and
voice
in
the
early
days
of
punk
and
DIY,
to
the
blues,
free
jazz
and
sounds
of
Irish
folk
music
into
portraits,
political
messaging,
and
vibrant
colors.
Musical
voices
are
thereby
lavishly
layered
in
historical
context,
creating
a
visible
synergy
far
beyond
the
sum
of
its
parts.
This
exhibition
is
partially
supported
by
the
Cynthia
Woods
Mitchell
Center
for
the
Arts.
American
artist
and
writer
Christopher
Myers
mines
the
fruitful,
yet
enigmatic
space
between
archive,
myth,
and
emanation
as
he
translates
obscured
histories
from
around
the
world
into
vivid
contemporary
forms.
Across
disaporas
and
diaries,
It
has
been
said
that
Myers
works
with
materials
that
hold
histories
within
them,
of
movement,
migration,
and
exchange.
His
diverse,
rigorously
researched
practice
spans
textiles,
actions,
shadow
puppets,
film,
and
sculptural
objects,
which
are
often
produced
in
collaboration
with
artisans
from
around
the
globe.
This
exhibition
will
look
back
at
the
past
five
years
of
Myers’
inter-disciplinary
work
–
bringing
together
epic
appliqué
tapestries
with
stained
glass
lightboxes
and
a
new
installation
that
highlights
Myers’
ongoing
work
in
performance.
The
artist
will
also
visit
UH
to
elaborate
upon
his
recent
television
and
theatre
work,
gathering
a
multitude
of
voices
and
techniques
to
colorfully
navigate
the
porous
terrain
between
records
and
those
who
live
them.
This
exhibition
is
partially
supported
by
the
Cynthia
Woods
Mitchell
Center
for
the
Arts.