Beginning with his first major commissioned work, "Time Landscapes" in Greenwich Village, NYC, Sonfist received critical acclaim for his innovative use of urban spaces to design havens of nature. His early work in the 1960s and 1970s helped pioneer the burgeoning movement of site-specific sculpture. Today, he continues to promote sustainable energy and strives to raise awareness for global climate change with his international projects. Recently, Sonfist collaborated with city planners in Pori, Finland and Tampa, Florida to create public spaces that visualize natural landscapes from the past. 
 
Sonfist has received major awards and grants from private and governmental organizations including the National Endowment for the Arts, the Graham Foundation for Art and Architecture, the Chase Manhattan Bank Foundation, and the U.S. Information Agency. Sonfist's works are included in many international public collections such as the Metropolitan Museum of Art, the Guggenheim, the Whitney, the Museum of Contemporary Art in Los Angeles, the Centre Georges Pompidou in Paris, Villa Celle, in Tuscany, Italy, the Today Art Museum in Beijing, and the Museum Ludwig in Koln, Germany. 

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Steve Rowell’s work has been exhibited internationally at a range of galleries and museums, including MoMA PS1, LACMA, the MCA in Chicago, the Blaffer Art Museum in Houston, and the Haus der Kulturen der Welt in Berlin. The themes he has engaged with in his work include dark money, invisible infrastructure, speculative futures, geologic time, nonhuman intelligence, orbital omniscience, extraction, and extinction. From 2001 to 2013, Rowell collaborated with the Los Angeles-based Center for Land Use Interpretation on projects covering a spectrum of conceptual terrains. He is Creative Capital and Graham Foundation grantee. In 2019, Rowell became a Guggenheim Fellow and in 2022 he will be a resident at the MacDowell. He holds a B.A. from the University of Texas and an M.F.A. from Oxford University. 

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Preston A. Gaines (b. 1990), is a Houston-based artist, architect, and biophilic/industrial designer who manifests the hidden properties of nature through the use of technology, with the intention of learning and re-establishing our connection to the Earth. His immersive botanical installations and furniture designs raise questions about our collective experience and imagine radical possibilities for the future of art and design. Gaines' premise is that any built environment can have a physiological effect on the viewer inhabiting the space; his intent is to go beyond this premise to a psychological level. Gaines started Inanimate Nature as a multi-disciplinary design collective, investigating the use of technology to re-establish our connection to the Earth and nature through design, an approach epitomized in Gaines’ work with Project Row Houses in Houston's historic Third Ward.

Gaines has had his work shown in museum exhibitions at venus such as the Contemporary Art Museum Houston (CAMH) in 2021 and, most recently, in The ION District in Houston, which is a joint initiative between Rice University and the City of Houston. He has an upcoming solo exhibition opening October 7th, 2022 at the Barbara Davis Gallery in Houston. Gaines received his B.S. in Architecture in 2013 and his M.S. in Architecture from Prairie View A&M in 2020. He is a recipient of the prestigious Houston Arts Alliance Grant.

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Described by The New York Times as “a towering figure in the world of experimental theatre,” Robert Wilson’s (b. 1941) influential body of work employs a diverse range of media including dance, movement, lighting, sculpture, music and text, earning widespread acclaim from audiences and critics around the world. A native Texan, Wilson was born in Waco and attended the University of Texas before pursuing art and architecture at Pratt Institute in Brooklyn, New York. In addition to his academic education Wilson apprenticed with painter George McNeil in Paris and in Arizona with architect Paolo Solari. After obtaining his degrees, he founded The Byrd Hoffman School of Byrds in New York City where he worked and performed with fellow artists and directed his first major productions, The King of Spain (Anderson Theater, 1969) and The Life and Times of Sigmund Freud (Brooklyn Academy of Music, 1969). In 1976 Wilson collaborated with composer Philip Glass to write and direct the landmark opera, Einstein on the Beach, after which Wilson increasingly worked with European theater and opera houses.

Among his many creative partners are artists, writers and musicians such as Heiner Müller, Tom Waits, Susan Sontag, Laurie Anderson, William Burroughs, Lady Gaga, Lou Reed, Jessye Norman and Anna Calvi. Wilson’s reputation for innovating highly acclaimed theatrical products is rooted in his fine art practice. His drawings, paintings and sculptures are frequently presented internationally in both solo and group showings and are held in private and public collections worldwide. Major exhibitions include the Museum of Fine Arts Boston (1991); the Centre Georges Pompidou in Paris (1991); and the Instituto de Valencia de Arte Moderno (1992). Recent exhibitions in 2022 include Museum and Contemporary Design and Applied Arts in Lausanne Switzerland, MDFG in Brooklyn, NY and the Art Gallery of South Australia. Since the early 1990s, Wilson has hosted workshops for students and creative professionals at The Watermill Center, an interdisciplinary laboratory for the Arts in Water Mill, New York of which he is the founder and Artistic Director. He is the recipient of two Rockefeller and two Guggenheim fellowships and has been honored with numerous nominations, appointments, and lifetime achievement awards. In 1997, April 18th was declared “Robert Wilson Day” by the legislature in the State of Texas.