Sam Wu's music deals with the beauty in blurred boundaries. Many of his works center around extra-musical themes: architecture and urban planning, climate science, and the search for exoplanets that harbor life. Selected for the American Composers Orchestra's EarShot readings and the Tasmanian Symphony’s Australian Composers’ School, winner of an ASCAP Morton Gould Young Composer Award and First Prize at the Washington International Competition, Sam Wu also received Harvard's Robert Levin Prize and Juilliard's Palmer Dixon Prize.

Sam’s collaborations span five continents, most notably with the orchestras of Philadelphia, New Jersey, Minnesota, Sarasota, Melbourne, Tasmania, and Shanghai, the New York City Ballet, The Kennedy Center, National Center for the Performing Arts in Beijing, Sydney International Piano Competition, the Lontano, Parker, Argus, ETHEL, and icarus Quartets, conductors Osmo Vänskä, Case Scaglione, and Benjamin Northey, violinist Johan Dalene, and sheng virtuoso Wu Wei. Sam has been featured on the National Geographic Channel, Business Insider, Harvard Crimson, Sydney Morning Herald, Asahi Shimbun, People's Daily, CCTV, among others.

From Melbourne, Australia, Sam (b. 1995) holds an AB in Music and East Asian Studies from Harvard University, a MM in Composition from The Juilliard School, and pursues his DMA in Composition at Rice University's Shepherd School of Music. His teachers include Tan Dun, Anthony Brandt, Pierre Jalbert, Chaya Czernowin, and Richard Beaudoin.