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Director: | Varda, Agnès, Balchère, Francis, Bonnaire, Sandrine, Causse, Urbain, Perletti, Jean-Louis, Ramdane, Setti |
Studio: | Ciné Tamaris |
Producer: | Oury Milshtein |
Writer: | Agnès Varda |
Rating: | 7.6 (2,448 votes) |
Rated: | R |
Date Added: | 2012-06-05 |
ASIN: | 037429148921 |
UPC: | 037429148921 |
Price: | $29.95 |
Awards: | 10 wins & 3 nominations |
Genre: | French films |
Release: | 2010-02-21 |
IMDb: | 0089960 |
Duration: | 1:45:00 |
Picture Format: | SD |
Aspect Ratio: | 1.66 : 1 |
Sound: | Mono |
Languages: | French |
Subtitles: | English |
Features: | • None |
LAC code: | 300007822 |
DVD or VHS: | DVD |
Original: | DVD copy |
Varda, Agnès, Balchère, Francis, Bonnaire, Sandrine, Causse, Urbain, Perletti, Jean-Louis, Ramdane, Setti | ... | (Director) |
Agnès Varda | ... | (Writer) |
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Sandrine Bonnaire | ... | Mona Bergeron, sans toit ni loi | Setti Ramdane | ... | le marocaine qui la trouve | Francis Balchère | ... | un gendarme | Jean-Louis Perletti | ... | un autre | Urbain Causse | ... | un paysan interrogé | Christophe Alcazar | ... | un autre, brûleyrr de fossé | Dominique Durand | ... | le premier motard | Joël Fosse | ... | l'autre, Paulo, amant de Yolande | Patrick Schmit | ... | le camionneur | Daniel Bos | ... | Le démolisseur | Katy Champaud | ... | le jeune fille à la pompe | Raymond Roulle | ... | le vieux aux allumettes | Henri Fridlani | ... | le fossoyeur | Patrick Sokol | ... | le jaune homme au sandwich | Pierre Imbert | ... | le garagiste | Vlasta Vrana | ... | Narrator | Oury Milshtein | ... | Production Manager | Richard Imbert | ... | Son fils | Marthe Jarnias | ... | la vielle Tante Lydie | Yolande Moreau | ... | Yolande, sa bonne | Gabriel Mariani | ... | Son oncle AIMÉ B.I.O.N.N.E.T. | Patrick Lepcynski | ... | David, le juifferrant | Sylvaine Berger | ... | les Bergers | Michèle Doumeche | ... | La p... sur la route | Sabine | ... | le Bergers | Macha Méril | ... | la platonologne Mme Landier | Pierette Soler | ... | La dame qui parle à son mari | Pierre Emonnot | ... | le régisseur pas content | Stéphane Freiss | ... | Jean-Pierre, ingéneuragronome | Laurence Cortadellas | ... | sa femme Eliane | Emmanuel Protopopoff | ... | le routard donneur-de-sang | Vincent Sanchez | ... | L'infirmier | Michel Constantial | ... | Le réigisseur des caisses | 'Garibaldi' Fernández | ... | Le maçon au bonnet rond | Alain Roussel | ... | l'homme-des-bois, violent | Yahiaoui Assouna | ... | Yahiaoui 'Assoun' Assouna, tailleur devinges | Aimée Chisci | ... | La régisseur du mas | Marguerite Chisci | ... | Sa femme a la télé et à la lessive | Geneviève Bonfils | ... | la voyageuse méfiante | Christian Chessa | ... | Le Zonard-Mac, a la gare | Setina Arhab | ... | la zonarde | Jacques Berthier | ... | Le petit monsieur bien-mis | Olivier Jongerlinck | ... | le racketeur au photomaton | Rémi Leboucq | ... | Le client racketé | Jean Dambrin | ... | le trichlomane | Bébert Samcir | ... | lr joueur d'harmonica | Patrick Blossier | ... | Cinematographer | Patricia Mazuy | ... | Film Editor | Agnès Varda | ... | Film Editor | Jonathan Liebling | ... | Sound Department | Jean-Paul Mugel | ... | Sound Department | Oliver Jongerlynck | ... | le racketeur au photomaton | Joanna Bruzdowicz | ... | Composer | Jacques Royer | ... | first assistant director |
Comments: DFR 136
Summary: Sandrine Bonnaire plays Mona, a vagabond found dead from exposure in the opening scene, whose final few months we follow in flashback. Traipsing through the French countryside in winter, Mona skips along from one situation to another, more interested in survival and sustenance than making any kind of permanent connection, resolute in her individuality. But she touches the lives of those around her, from a cultured professor who sees in her a romantic symbol of social freedom to a farming couple who offers her their way of life with a plot of land to a widow whose stiffness is mellowed by her directness. Yet she remains enigmatic as everyone projects their own fantasies on the alienated figure who meets every obstacle with a retreat to the road. Agnes Varda's chilly view weaves in commentaries and direct address of the bystanders and bit players whose lives are touched by Mona, but they ultimately reveal more about the speaker than the drifter. By the end of the film we don't know much more about her beyond her steely immutability and disconnection, and Varda is resolute in her no-apologies, no-excuses portrait. It's an assured film rich in detail with an enigma at the center. --Sean Axmaker
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