Theory II and Aural Skills II Assignments   Theory II Syllabus  |  Aural Skills II Syllabus   |  Blank Staff Paper PDF   |  Composition Assignment
Dr. Tim Koozin
Moores School of Music
University of Houston

Topics and Assignments (Subject to change)    Jump to current week assignments

Week 1 (Jan 20-23)

Theory:

Wednesday: MEET IN LARGE GROUP. Introduce Chs 12 & 13. Assignment for Friday:
     Study Part II, Ch 12, "Linear Six-Four and Other Chords" and Ch 13, "Submediant and Mediant Triads"
     Written:
          eWorkbook, Part II, p. 47, no. 5a and 5b
          Anthology, p. 54

Friday's Assignment for Monday:
          eWorkbook, Part II, p. 51
          Anthology, p. 59-60 (Mozart, J.C. Bach, Tessier)

Aural Skills:

Dictation assignment, Unit 7, The Supertonic Triad:
       Practice self-grading melodies p. 149-150
       To turn in: p. 154 (Melodic Quiz #1)

Singing
       Unit 8 (Compound Meter, Supertonic Triad, Submediant & Mediant Triads): p. 90-95
       Unit 7 (Music from Literature) as selected by the instructor


Week 2 (Jan 26-30)

Theory:

Monday: Complete Chs 12 & 13. Assignment for Friday:
       Written: eWorkbook, Part II, p. 52 (Submediant and Mediant Triads)
       Study Ch 14, "The Leading Tone Triad" and Ch 15, "Variant Qualities of Triads"
 

Wednesday: MEET IN LARGE GROUP. Assignment for Friday:
       Study Ch 14, "The Leading Tone Triad" and Ch 15, "Variant Qualities of Triads"
       Written: eWorkbook, p. 57

Friday's Assignment for Monday: Anthology, p. 65 (Teschner, Schumann, Handel) and p. 69 (Bach, Pachelbel)

Aural Skills:

Dictation assignment:    
       Practice self-grading harmonic progressions. 160-161
       To turn in: p. 167 (Harmonic Quiz #1, nos. 1-4 only)

Singing
       Unit 8 (Tenor Clef): p. 96-99
       Unit 7 (Music from Literature) as selected by the instructor


Week 3 (Feb 2-5) No class meeting Friday, due to theory conference

Theory:

Monday's assignment for Wednesday: eWorkbook, p. 63 (Variant qualities of triads)

Wednesday's assignments for Monday:
      eWorkbook, p. 64 (Variant qualities of triads)
     
Anthology , p. 76-77 (Modal borrowing: Schubert, Brahms)

No class meeting Friday. We will host the annual conference of the Texas Society for Music Theory

Aural Skills:

Dictation assignment:    
       Practice self-grading melodies, p. 151-152
       To turn in: p. 155 (Melodic Quiz No. 2)

Singing
       Continue Unit 8 to p. 101
       Unit 7 (Music from Literature) as selected by the instructor


Week 4 (Feb 9-13)

Theory:

Monday's assignment for Wednesday: BHN textbook: Choose two figured basses to work out from No. 4, page 116.

Wednesday's assignment for Monday:
    Anthology, "Il Trovatore" example, p. 78-79.
    Study Chs 16 (The Sequence) & 17 (The Supertonic Seventh Chord) Study Examples

No class Friday due to TMEA meeting.

Aural Skills:

Dictation assignment:    
       Practice self-grading harmonic progressions. 162-164
       To turn in: p. 169 (Harmonic Quiz #2, nos. 1-4 only)

Singing
       Complete Unit 8
       Unit 7 (Music from Literature) and additional music as selected by the instructor

No class Thursday due to TMEA meeting.


Week 5 (Feb 16-20)

Theory:

Monday: MEET IN LARGE CLASS, Chs 16 & 17. Study Examples. Assignments for Wednesday:
     TMM, p. 119, Ex 1 (first example)
     eWorkbook, p 79 (all)
 
Wednesday: Continue chs 17 (sequence) & 17 (supertonic seventh chord). Assignments:
      eWorkbook p. 72, choose exercise 1a or 1b
     Anthology, p. 81 and 82 (all)

Friday assignments:
     eWorkbook p. 81, choose any two from the four exercises on the page.
     Study Ch 18 (leading tone seventh chord)

Aural Skills:

Dictation assignment:    
     Practice self-grading melodies. 181-184
     To turn in: p. 186 (Melodic Quiz #1)

Singing assignments:
     Unit 8 solo melodies to p. 101 ready for solo singing
     Begin Unit 9 (triplets, seventh chords)
     Selections from Unit 7 (Music from Literature) and Unit 8 canons and duets


Week 6 (Feb 23-27)

Theory:

Monday: MEET IN LARGE CLASS, Ch 18. Assignment for Wednesday:
     eWorkbook, p 84

Wednesday assignments for Friday:
     To turn in: PRACTICE MIDTERM EXAM
     For discussion in class: Anthology, p. 89-90

Friday: Turn in Practice Midterm; discuss Anthology examples. Assignment to turn in Monday:
     Anthology, p. 92-94

Aural Skills:

Dictation assignment:    
     Practice self-grading harmonic examples. 192 and 197 (all diatonic triads)
     To turn in: p. 200 (Harmonic Quiz #1)

Singing assignments:
     Complete Unit 9 solo melodies. Other music as assigned by instructor.


Week 7 (March 2-6)

Theory:

Monday: Return and discuss Practice Exam. Review

Wednesday, March 4: MIDTERM EXAM

Friday: MEET IN LARGE CLASS: Ch 19, Other Diatonic Seventh Chords. Assignment for Monday: Page 89 in the e-Workbook

Aural Skills:

Dictation assignment:    
     Practice self-grading melodic and harmonic examples from Unit 8 (all diatonic triads)
     To turn in: p. 187 (Melodic Quiz #2)

Singing assignments:
     Review Unit 8 and 9 solo melodies.
     Selections from Unit 10 (Music from Literature)


Week 8 (March 9-13)

Theory:

Monday: Work on Ch 19, Other Diatonic Seventh Chords, and Composition Project. Assignments:
     Anthology, p. 101 (Bach, Mozart, Mendelssohn)
     Begin composition project (melody with harmonic outline and cadences ready for class discussion Friday).

Wednesday assignment:
     e-Workbook p. 92 (choose one of the two basses to harmonize.) Also continue work on composition project.

Friday: Discuss composition projects in class. Also discuss more Anthology pieces if time allows. Assignments:
     Work further on composition project. (Be ready to turn in photocopy Friday, March 27.)
     Study Part III, Ch 1, Secondary Dominants
     Download the Part III e-Workbook: http://www.uh.edu/musicstudents/theory/Workbook_part_3.pdf

Aural Skills:

Aural Skills Dictation Midterm: March 10 (based on dictations from Unit 8)

Aural Skills Singing Midterm: March 12 (All solo tunes Chapters 8 and 9; individually by appointment)

Theory II Composition Assignment

Create a piece for performance in class using the form of a double period:

            phrase 1 ------ HC, IAC
            phrase 2 ------ IAC, PAC, HC, DC,
            phrase 3 ------ HC
            phrase 4 ------ PAC

This piece should represent your best work (20% of grade). It should employ the harmonic resources we will have studied this semester, including seventh chords, modal mixture, secondary dominants, and/or modulation. Compose for resources available in your class. See the textbook, p. 252-53, for more on phrase structure and the double period.

  1. Melody with basic harmonic outline and cadences roughly complete (for class discussion): Friday, March 13
  2. Melody with basic harmonic outline and cadences due (turn in photocopy): Friday, March 27
  3. Complete sketch due (turn in photocopy): Friday, April 10
  4. Polished score with all performance markings (dynamics, articulation, etc.) and any needed transposed parts due at time of performance in class: Monday, April 27, Wednesday, April 29, Friday, May 1

Suggestions:

  • If you write for voice, begin words. Your music should complement the natural accentuation of the text.
  • Plan ahead. Expect to revise and fine-tune your score as your work progresses.
  • Show your work to performers and learn from their comments.
  • Bring your work in progress to class each day.
  • Turn in photocopies to the instructor and retain originals as you continue to work.

Spring Break: March 16-20


Week 9 (March 23-27)

Theory:

Monday: MEET IN LARGE CLASS. Assignments:
     Study Part III, Ch 1, Secondary Dominants
     e-Workbook, Part III, page 3. (Download e-Workbook Part III)

Wednesday assignment:
     Anthology, pages 119-120 (Schubert, Haydn, Beethoven, Weber)

Friday assignment:
     e-Workbook, Part III, page 6 (choose one of the three exercises)
     Composition Assignment: Melody with basic harmonic outline and cadences due (turn in photocopy)

Aural Skills:

Dictation assignment:    
     Practice self-grading melodies. 212-213 (supertonic and leading tone sevenths)
     To turn in: p. 218 (Melodic Quiz #1)

Singing assignments:
     Selections from Unit 10 (Music from Literature); Other music as assigned by instructor.
     Begin Unit 11 (syncopation, other seventh chords)


Week 10 (March 30- April 3)

Theory:

Monday assignment:
     Anthology, pages 126-128 (Schubert, Schumann, Schubert)

Wednesday assignment:
     TMM textbook, p 143-144, Ex. 7a, 7b, & 7c.

Friday assignment:
     Anthology, p. 142-143 (Kern)
     Also note: Composition Assignment, complete sketch due in one week, Friday, April 10

Aural Skills:

Dictation assignment:    
     Practice self-grading harmonic exercises. 224-227 (supertonic and leading tone sevenths)
     To turn in: p. 233, ex. 1-4 only (Harmonic Quiz #1)

Singing assignments:
     Continue with provided handout of melodies and selections from Unit 10 (Music from Literature)
     Continue Unit 11 (syncopation, other seventh chords)


Week 11 (April 6 - 10)

Theory:

Monday: MEET IN LARGE CLASS. Assignments:
     Study Part III, Ch 2, Modulation
     e-Workbook, Part III, page 10

Wednesday assignment:
     Anthology, p. 146-47 (Schubert, Haydn, Mozart)
    
Composition Assignment: Complete sketch due next class, April 10. (Turn in photocopy.)

Friday, April 10. Turn in Composition sketch. Assignment:
     e-Workbook, Part III, page 11; Choose three of the four given exercises.

Aural Skills:

Dictation assignment:    
     Practice self-grading melodies. 253-254 (non-dominant seventh chords)
     To turn in: p. 258 (Melodic Quiz #1)

Singing assignments:
     Continue with provided handout of melodies and selections from Unit 10 (Music from Literature)
     Continue Unit 11 (syncopation, other seventh chords)


Week 12 (April 13 - 17)

Theory:

Monday: Discuss composition sketches and Anthology examples. ALWAYS BRING YOUR ANTHOLOGY TO CLASS. Assignments:
     Anthology, p. 156-157 (Beethoven, Haydn)
     Composition Project: Note that polished score for in-class performance must be ready by Monday, April 27.

Wednesday assignment:
     Anthology, p. 168-69 (Beethoven, Schumann)

Friday, April 10. Assignment:
     TTM textbook, p. 150, ex. 6a, 6b, & 6c.

Aural Skills:

Dictation assignment:    
     Practice self-grading harmonic exercises. 264-267 (non-dominant seventh chords)
     To turn in: p. 270 (Harmonic Quiz #1)

Singing assignments:
     Complete Unit 11 and begin Unit 12 (decorative chromaticism).


Week 13 (April 20 - 24)

Theory:

Monday assignments:
     TTM textbook, p. 150, ex. 6d, 6e, & 6f.
     Composition Project: Note that polished score for in-class performance must be ready by Monday, April 27.

Wednesday assignment:
     Anthology, p. 172-174 (Beethoven Sonatina in F major)

Friday, April 10. Assignment:
     Final preparations for Composition Project.

Aural Skills:

Dictation assignment:    
     Practice self-grading melodic exercises. 255-257 (non-dominant seventh chords)
     To turn in: p. 259, nos. 1-4 only (Melodic Quiz #2)

Singing assignments:
Complete Unit 12 (decorative chromaticism).


Week 14 (April 27 - April 1)

Theory:

Monday, April 27: Hear student compositions performed in class. Polished score due to be turned in. Assignment: TBA.

Wednesday:
     Continue hearing student compositions.
Assignment for Friday: Practice final exam.

Friday:
     Continue hearing student compositions. Practice final exam due to be turned in.

Aural Skills:

Tuesday:
    Dictation assignment: Practice for Thursday's Dictation Final Exam (No more written dictation assignments.)
    Singing: Review Unit 12 (decorative chromaticism).

Thursday, April 30: Dictation Final Exam (based on Units 7, 8, 9, and 11)


Monday, May 4: Last theory class meeting before exam. Go over practice final exam.

Aural Skills Singing Exam: Tuesday, May 12, 8:00-11:00, by appointment (Units 8, 9, 11, and 12)

Theory Exam: Wednesday, May 13, 8:00-11:00