Theory II and Aural Skills II Assignments   Theory II Syllabus  |  Aural Skills II Syllabus   |  Blank Staff Paper PDF   |  Composition Assignment | Audio clips
Dr. Tim Koozin
Moores School of Music
University of Houston

Topics and Assignments (Subject to change)   

Week 1 (Jan 17-20)

The first class meeting after break is Tuesday, Jan 17, Aural Skills II. Please meet in your individual sections.

Theory:

Wednesday: MEET IN LARGE GROUP. Introduce Chs 12 & 13. Assignment for Friday:
     Study Part II, Ch 12, "Linear Six-Four and Other Chords" and Ch 13, "Submediant and Mediant Triads"
     Written:
          eWorkbook, Part II, p. 47, no. 5a and 5b
          Anthology, p. 56

Friday's Assignment for Monday:
          eWorkbook, Part II, p. 51(all)
          Anthology, p. 61-62 (Mozart, J.C. Bach, Tessier)

Aural Skills:

Dictation assignment, Unit 7, The Supertonic Triad:
       Practice self-grading melodies p. 149-150
       To turn in: p. 154 (Melodic Quiz #1)

Singing
       Unit 8 (Compound Meter, Supertonic Triad, Submediant & Mediant Triads): p. 90-95
       Unit 7 (Music from Literature) as selected by the instructor


Week 2 (Jan 23-27)

Theory:

Monday: Complete Chs 12 & 13. Assignment for Wednesday:
       Written: eWorkbook, Part II, p. 52 (Submediant and Mediant Triads)
       Study Ch 14, "The Leading Tone Triad" and Ch 15, "Variant Qualities of Triads"
 

Wednesday: MEET IN LARGE GROUP. Assignment for Friday:
       Study Ch 14, "The Leading Tone Triad" and Ch 15, "Variant Qualities of Triads"
       Written: eWorkbook, p. 57

Friday's Assignment for Monday: Anthology, p. 67 (Teschner, Schumann, Handel) and p. 71 (Bach, Pachelbel)

Aural Skills:

Dictation assignment:    
       Practice self-grading harmonic progressions. 160 (The Supertonic Triad) and 162 (Inversions of V7)
       To turn in: p. 167 (Harmonic Quiz #1, nos. 1-4 only)

Singing
       Continue Unit 8 (including Tenor Clef) to p. 98
       Unit 7 (Music from Literature) as selected by the instructor


Week 3 (Jan 30-Feb 3)

Theory:

Monday's assignment for Wednesday: eWorkbook, p. 63 (Variant qualities of triads)

Wednesday's assignments for Friday:
      eWorkbook, p. 64 (Variant qualities of triads)

Friday's assignment for Monday:
     
Anthology , p. 78-79 (Modal borrowing: Schubert, Brahms)

Aural Skills:

Dictation assignment:    
       Practice self-grading melodies, p. 151-152
       To turn in: p. 155 (Melodic Quiz No. 2)

Singing
       Continue Unit 8 to p. 101 and supplement
       Unit 7 (Music from Literature) as selected by the instructor


Week 4 (Feb 6-10)

Theory:

Monday's assignment for Wednesday: TMM textbook: Choose two figured basses to work out from No. 4, page 116.

Wednesday's assignment for Monday:
    Anthology, "Il Trovatore" example, p. 80-81.
    Study Chs 16 (The Sequence) & 17 (The Supertonic Seventh Chord)

No class Thursday and Friday, due to TMEA conference

Aural Skills:

Dictation assignment:    
       Practice self-grading harmonic progressions. 162-164
       To turn in: p. 169 (Harmonic Quiz #2, nos. 1-4 only)

Singing
      Unit 8 solo melodies to p. 101 ready for solo singing
       Unit 7 (Music from Literature) and additional music as selected by the instructor


Week 5 (Feb 13-17)

Theory:

Monday: MEET IN LARGE CLASS, Chs 16 (sequence) & 17 (supertonic seventh chord). Study Examples. Assignment for Wednesday:
      TMM textbook, p. 119, Ex 1 (first example)
     Anthology, p. 83 and 84 (all)
 
Wednesday: Assignments for Friday:
     eWorkbook, p 79 (all)

Friday assignments for Monday:
     eWorkbook p. 72, choose exercise 1a or 1b
     Study Ch 18 (leading tone seventh chord)

Aural Skills:

Dictation assignment:    
     Practice self-grading melodies. 181-184
     To turn in: p. 186 (Melodic Quiz #1)

Singing assignments:
     Complete Unit 8. Begin Unit 9 (triplets, seventh chords)
     Unit 8 canons and duets and supplement


Week 6 (Feb 20-24)

Theory:

Monday: MEET IN LARGE CLASS, Ch 18 (The Leading Tone Seventh Chord). Assignment for Wednesday:
     eWorkbook, p 84

Wednesday assignment for Friday:
     Anthology, p. 91-92

Friday assignment to turn in Monday:
     PRACTICE MIDTERM EXAM

Aural Skills:

Dictation assignment:    
     Practice self-grading harmonic examples. 192 and 197 (all diatonic triads)
     To turn in: p. 200 (Harmonic Quiz #1)

Singing assignments:
     Complete Unit 9 solo melodies. Other music as assigned by instructor.


Week 7 (Feb 27 - March 2)

Theory:

Monday: Turn in Practice Midterm. Assignment for Wednesday: Anthology, p. 92-94

Wednesday: Return and discuss Practice Exam. Review.

Friday, March 2: Theory Midterm Exam

Aural Skills:

Dictation assignment:    
     Practice self-grading melodic and harmonic examples from Unit 8 (all diatonic triads)
     To turn in: p. 187 (Melodic Quiz #2)

Singing assignments:
     Review Unit 8 and 9 solo melodies.
     Selections from Unit 10 (Music from Literature)


Week 8 (March 5-9)

Theory:

Monday: MEET IN LARGE CLASS: Ch 19, Other Diatonic Seventh Chords.
     Assignment for Wednesday: Page 89 in the e-Workbook

Wednesday: Work on Ch 19, Other Diatonic Seventh Chords, and Composition Project. Assignments:
     Anthology, p. 103 (Bach, Mozart, Mendelssohn)
     Begin composition project (melody with harmonic outline and cadences ready for class discussion Friday).

Friday assignment:
     e-Workbook p. 92 (choose one of the two basses to harmonize.) Also continue work on composition project.

Aural Skills:

Aural Skills Dictation Midterm: March 6 (based on dictations from Unit 8)

Aural Skills Singing Midterm: March 8 (All solo tunes Chapters 8 and 9; individually by appointment)

Theory II Composition Assignment

Create a piece for performance in class using the form of a double period:

            phrase 1 ------ HC, IAC
            phrase 2 ------ IAC, PAC, HC, DC,
            phrase 3 ------ HC
            phrase 4 ------ PAC

This piece should represent your best work (20% of grade). It should employ the harmonic resources we will have studied this semester, including seventh chords, modal mixture, secondary dominants, and/or modulation. Compose for resources available in your class. See the textbook, p. 252-53, for more on phrase structure and the double period.

  1. Melody with basic harmonic outline and cadences roughly complete (for class discussion): Friday, March 9
  2. Melody with basic harmonic outline and cadences due (turn in photocopy): Friday, March 23
  3. Complete sketch due (turn in photocopy): Friday, April 6
  4. Polished score with all performance markings (dynamics, articulation, etc.) and any needed transposed parts due at time of performance in class: Wednesday, April 25; Friday, April 27; Monday, April 30

Suggestions:

  • If you write for voice, begin words. Your music should complement the natural accentuation of the text.
  • Plan ahead. Expect to revise and fine-tune your score as your work progresses.
  • Show your work to performers and learn from their comments.
  • Bring your work in progress to class each day.
  • Turn in photocopies to the instructor and retain originals as you continue to work.
  • This list of instrumental ranges and transpositions may be helpful: instruments.pdf

Spring Break: March 12-16


Week 9 (March 19-23)

Theory:

Monday. MEET IN LARGE CLASS: Secondary Dominant. Study Examples. Assignments:
     Study Part III, Ch 1, Secondary Dominants
     e-Workbook, Part III, page 3. Download the e-Workbook Part III

Wednesday. Discuss composition projects in class. Also discuss more Anthology pieces if time allows. Assignments for Friday:
     Composition Assignment: Melody with basic harmonic outline and cadences. Have photocopy ready to turn in.
     Anthology, pages 121-122 (Schubert, Haydn, Beethoven, Weber)

     Work further on composition project. (Be ready to turn in photocopy Friday.)

Friday: Turn in Composition photocopy (melody with basic harmonic outline and cadences) Assignment:
     e-Workbook, Part III, page 6 (choose one of the three exercises)

Aural Skills:

Dictation assignment:    
     Practice self-grading melodies. 212-213 (supertonic and leading tone sevenths)
     To turn in: p. 218 (Melodic Quiz #1)

Singing assignments:
     Selections from Unit 10 (Music from Literature)
     Begin Unit 11 (syncopation, other seventh chords)


Week 10 (March 26-30)

Theory:

Monday assignment:
     Anthology, pages 128-130 (Schubert, Schumann, Schubert)

Wednesday assignment:
     TMM textbook, p 143-144, Ex. 7a, 7b, & 7c.

Friday assignment:
     Anthology, p. 142 (Gershwin). Hint: This excerpt has a couple of diminished chords you may want to reinterpret enharmonically (respell) as you analze their function.
     Also note: Composition Assignment, complete sketch due in one week, Friday, April 6

Aural Skills:

Dictation assignment:    
     Practice self-grading harmonic exercises. 224-227 (supertonic and leading tone sevenths)
     To turn in: p. 233, ex. 1-4 only (Harmonic Quiz #1)

Singing assignments:
     Continue selections from Unit 10 (Music from Literature)
     Continue Unit 11 (syncopation, other seventh chords)


Week 11 (April 2 - 6)

Theory:

Monday: MEET IN LARGE CLASS. Assignments for Wednesday:
     Study Part III, Ch 2, Modulation
     e-Workbook, Part III, page 10

Wednesday. Assignment for Friday:
     Anthology, p. 146-47 (Schubert, Haydn, Mozart) (Audio clips)
    
Composition Assignment: Complete sketch due next class, April 6. (Turn in photocopy.)

Friday, April 10. Turn in Composition sketch. Assignment for Monday:
     e-Workbook, Part III, page 11; Choose three of the four given exercises.

Aural Skills:

Dictation assignment:    
     Practice self-grading melodies. 253-254 (non-dominant seventh chords)
     To turn in: p. 258 (Melodic Quiz #1)

Singing assignments:
     Continue Unit 11 (syncopation, other seventh chords)
     Other melodies as provided


Week 12 (April 9 - 13)

Theory:

Monday: Discuss composition sketches and Anthology examples. ALWAYS BRING YOUR ANTHOLOGY TO CLASS. Assignments for Wednesday:
     Anthology, p. 156-157 (Beethoven, Haydn)
     Composition Project: Note that polished score for in-class performance must be ready by Wednesday, April 25.

Wednesday. Assignment for Friday:
     Anthology, p. 168-69 (Beethoven, Schumann)

Friday, April 10. Assignment for Monday:
     TMM textbook, p. 150, ex. 6a, 6b, & 6c.

Aural Skills:

Dictation assignment:    
     Practice self-grading harmonic exercises. 264-267 (non-dominant seventh chords)
     To turn in: p. 270 (Harmonic Quiz #1)

Singing assignments:
     Complete Unit 11 and begin Unit 12 (decorative chromaticism).


Week 13 (April 16 - 20)

Theory:

Monday. Assignments for Wednesday:
     TMM textbook, p. 150, ex. 6d, 6e, & 6f.
     Composition Project: Note that polished score for in-class performance must be ready by Wednesday, April 25.

Wednesday. Assignment for Friday:
     Anthology, p. 172-174 (Beethoven Sonatina in F major)

Friday, April 10. Assignment for Monday:
     Assignment TBA; Prepare Composition Project for performance.

Aural Skills:

Dictation assignment:    
     Practice self-grading melodic exercises. 255-257 (non-dominant seventh chords)
     To turn in: p. 259, nos. 1-4 only (Melodic Quiz #2)

Singing assignments:
Complete Unit 12 (decorative chromaticism).


Week 14 (April 23 - April 27)

Theory:

Monday. Assignment for Wednesday: Final preparations for composition project. (Start hearing compositions in class that may be ready.)

Wednesday:
      Hear student compositions performed in class. Polished score due to be turned in.
Assignment for Friday: Practice final exam. Download the PDF. (Audio for Schumann example)

Friday:
     Continue hearing student compositions. Practice final exam due to be turned in.

Aural Skills:

Tuesday:
    Dictation assignment: Practice for Thursday's Dictation Final Exam (No more written dictation assignments.)
    Singing: Review Unit 12 to page 147 (decorative chromaticism).

Thursday, April 26: Dictation Final Exam (based on Units 7, 8, 9, and 11)


Monday, April 30: Last theory class meeting before exam. Go over practice final exam.

Theory Exam: Monday, May 7, 8:00-11:00

Aural Skills Singing Exam: Thursday, May 10, 8:00-11:00, by appointment
(Units 8, 9, 11, and 12 to page 147)