Music for Analysis audio

1 Tonic Triad
2 Dominant Triad in Root Position
3 Dominant Seventh and Ninth in Root Position
4 Subdominant Triad in Root Position
5 Cadential Tonic Six-Four Chord
6 Tonic, Subdominant, and Dominant Triads in First Inversion
7 Supertonic Triad
8 Inversions of the Dominant Seventh Chord
9 Linear (Embellishing) Six-Four Chords
10 Submediant and Mediant Triads
11 Leading Tone Triad
12 Variant Qualities of Diatonic Triads
13 Supertonic Seventh Chord
14 Leading Tone Seventh Chord
15 Other Diatonic Seventh Chords
16 Complete Pieces for Analysis I
17 Secondary (Applied, Borrowed) Dominant Chords
18 Modulation to Closely Related Keys
19 Complete Pieces for Analysis II
20 Linear (Embellishing) Diminished Seventh Chords
21 Neapolitan Triad
22 Augmented Sixth Chords, Submediant Degree as Lowest Note
23 Augumented Sixth Chords, Other Scale Degrees as Lowest Note
24 Augumented Sixth Chords, Other Uses
25 Other Means of Modulation
26 Ninth Chords
27 Extended Linear Usages
28 Complete Pieces for Analysis III
29 Examples of Counterpoint
30 Extended and Altered Tertian Harmony
31 Diatonic (Church) Modes
32 Pandiatonicism and Additive Harmony
33 Exotic (Artificial, Synthetic) Scales
34 Quartal and Secundal Harmony
35 Polyharmony and Polytonality
36 Free Atonality
37 Twelve-Tone Serialism
38 Music Since 1945
39 Complete Pieces for Analysis IV

Streaming audio and playlists for Spotify and the Naxos Music Library to accompany

Music for Analysis

8th edition

by Thomas Benjamin, Michael Horvit, Timothy Koozin, and Robert Nelson

Oxford University Press
Naxos users: Check with your course instructor or librarian for access to the Naxos Music Library. To import all Music for Analysis playlists to your own custom playlists:
  • Right-click and save master playlist file: MfA_Master_Playlist.xml
  • Enter the Naxos Music Library with your host institution credentials
  • Log in to your Playlists
  • Import all Music for Analysis playlists in one click

Naxos Playlist Users Guide (from Naxos site)