I Literature you
are expected to be familiar with:
Assigned selections from the Iliad, Aeschylus' Agamemnon,
Euripides' Iphigeneia at Aulis, selections from Greek tragedy on class
handout, Virgil's Aeneid book 2
II Art you are expected to be familiar with:
Parthenon (including the mythological subjects depicted on the metopes,
pediments, and interior freeze)
The monumental pieces described on class handout (Bronze Trojan horse
on Athenian acropolis, Cnidian meeting hall at Delphi, Painted Stoa
in Athens)
Any image that is on a class handout or in the Woodford book (if we
discussed it in class)
Any image discussed in class from this
website
The Mykonos pithos (showing wooden horse and fall of Troy)
Other vase paintings
Helen's seduction and return
The
taking of Briseis, described here
Louvre G152 Briseis and Phoinix; Fall of Troy
Louvre
taking of Briseis; embassy to Achilles
The dragging of Hektor
Achilles kills Memnon
The Fall of Troy by the Altamura Painter
The
Sacrifice of Polyxena (See also this
page.)
The Death of Agamemnon; the death of Aegisthus
III Lecture topics/arguments
Significance of
Trojan War myth in (primarily Athenian) art, especially scenes of
the fall of Troy
The major themes and the structure of the Iliad
The significance of the sacrifice of Iphigeneia in the Agamemnon of
Aeschylus
Interpretation
of Euripides' Iphigeneia at Aulis: patriotic? pacifist/antiwar? misogynist?
feminist? none of these? Plus, be sure to know how play fits into
its immediate historical context of the Peloponnesian War.
Relationships/overlap between art, myth, literature about the Trojan
War