Franz Anton Krager
Professor of Conducting and Director of Orchestras
office: MSM 178
office phone: (713)743-3189
address: 120 School of Music Bldg, Houston, TX 77204-4017
American born and trained, conductor Franz Anton Krager has been making his artistic presence felt both at home and abroad. Performance engagements in some of the world's most celebrated concert halls and musical centers are testimony to his emergence as a conductor on the international music scene. Since making his prize-winning European conducting debut in Copenhagen's Tivoli Koncertsalen in 1978, Krager has led orchestras in the Leipzig Gewandhaus, Moscow's State Kremlin Palace, Manchester England's Bridgewater Hall, Birmingham England's Adrian Boult Hall, Sydney Opera House, Amsterdam Congresgebouw, Kazan's State Philharmonic Hall in Russia, Guadalajara's Degollado Theater, and Sarasota's Van Wezel Performing Arts Hall. His affiliations with leading music festivals include the Lancaster International Concert Series and the Lichfield and Aberystwyth International Arts Festivals in the U.K., the "Lago di Como," "Lunatica," "Pianomaster," "Sinfonico," "Giovedì a Teatro," "Scarlino Castello," and "All Around Jazz" festivals in Italy, and the Texas Music Festival and Interlochen National Music Camp in the U.S.
In November 2000, Krager served as General & Artistic Director for "Shostakovich 2000," a five-day international music festival marking the 25th anniversary of Shostakovich's death. "Shostakovich 2000" drew people to Houston from across the U.S., Europe, and Russia, and was recognized by the DSCH Journal as a major world event for ballet, opera, chamber, and orchestral music by Shostakovich. In October 2003, Krager again conducted Shostakovich with the Russian State Symphony Orchestra & Symphonic Cappella and Alexander Kisselev of the Bolshoi Theatre, inside the State Kremlin Palace in Moscow. This command performance, initiated by the Kremlin authorities, was given in honor of the great Russian poet, Yevgeny Yevtushenko, on the occasion of his 70th birthday. Krager conducted to a packed house of 6500 people. In November 2004, Krager made his European opera-conducting debut with the Stagione Lirica in the Tuscany region of Italy. This production of Puccini's "Tosca" was met with great enthusiasm by the Italian public and received rave reviews from the Italian press. In November 2005, Krager's international profile was again heightened when he was invited to be a jury member for the prestigious Concurso Internacional de Piano Compositores de Espana in Madrid. In September 2006, Krager was appointed as Artistic Consultant for the World Holocaust Forum Foundation's "Let My People Live," the International Forum in commemoration of the 65th anniversary of the tragedy in Babi Yar, Kiev, Ukraine. This event garnered global media attention and included state delegations from several countries including the Presidents of Israel and Ukraine. More recently, Krager directed a three-day international music festival in Houston celebrating the great Finnish composer, Jean Sibelius. The "Jean Sibelius Festival 2006," like "Shostakovich 2000," drew people to Houston from across the U.S. and abroad.
Maestro Krager's roster of conducting engagements is a full collection of international and domestic appearances in both the professional and academic arenas. He has led the Houston Symphony; Russian State Symphony; Romanian and Kazan State Philharmonics; Honolulu and Florida West Coast Symphonies; Chetham's Symphony Orchestra and Musicfest International Orchestra (U.K.); Symphony Orchestra of Berlin; Akademisches Orchester Leipzig; Koriyama Symphony Orchestra (Japan); Riverside Philharmonic (CA); East and Mid-Texas Symphony Orchestras; Texas and Oakland (CA) Ballet Companies, Houston Ballet Academy, Sandra Organ Dance Company (TX); the chamber orchestras of Stratford ("Orchestra of the Swan," where he was principal guest conductor from 2000-2004), Birmingham and Leamington (U.K.); Orchestra Sinfonica Citta' di Grosseto, Guido d'Arezzo, and Orchestra Sinfonica del Conservatorio Jacopo Tomadini (Italy); the Missouri Chamber Orchestra; and the Round Top Festival-Institute.
Choral engagements include the Houston Symphony Chorus; the Chorus of the Gruppo Polifonico "Francesco Coradini," Corale Giacomo Puccini di Grosseto (Italy); and the Asaka Women's Chorus (Japan). Krager has worked with some of the pre-eminent artists of our time. In conjunction with the Moores School of Music, he has collaborated with Robert Shaw, William Warfield, Maxim Shostakovich, Marilyn Horne, John Corigliano, Horacio Gutiérrez, and Sergei Leiferkus.
Krager is Professor of Conducting, Director of Orchestras, and Chair of the Conducting Department at the University of Houston Moores School of Music, where he has brought the orchestra and orchestral conducting program into the realm of national prominence. The Moores School Orchestra is heard frequently on National Public Radio and has commercially recorded the music of Michael Horvit, Peter Lieuwen, Robert Nelson, and Stephen Shewan on compact disc for Albany Records.
Krager is also Music Director & Chief Conductor of the Texas Music Festival, Artistic Director of the Virtuosi of Houston, Artist-in-Residence at The Kinkaid School, Evaluator/Clinician for the Orchestra America National Festival, and has been a summer lecturer-in-residence at the Italart Santa Chiara Study Center, near Florence, Italy, since 1987.
Originally from Detroit, Krager's musical training included the study of percussion, piano, theory, composition, and conducting with Elizabeth A. H. Green at the University of Michigan. As a young conductor, Krager was one of a select group invited to participate in the famed Herbert von Karajan International Conducting Competition, winning acclaim in the Berlin press. "His appearance, his poise clearly reveal his experience," proclaimed the Berliner Morgenpost. In Amsterdam, the Haagsche Courant hailed him as a "great musical talent." England's Liverpool Daily Post stated that "American conductor Franz Anton Krager produced a performance full of life, vivacity and enthusiasm." The Leipziger Volkszeitung in Germany praised "Krager's unusual Schwung and Esprit brought to the Gewandhaus." In the American press, the Houston Chronicle has cited his "well-prepared earnestness; assured, committed performances; effectiveness; and heartfelt sincerity." The Tampa Tribune declared that the Florida West Coast Symphony organization "would be smart to grab Franz Anton Krager, who won over the sellout crowd..."
Maestro Krager has been active for almost 25 years as a champion of new music, conducting and recording many premieres of works commissioned and/or produced from the Moores School of Music and Brazos Valley Symphony resident composer programs.
In 1984, after a six-year Assistant Professorship at the University of Missouri-Columbia, Krager relocated to Texas with appointments to the Brazos Valley Symphony Orchestra and Texas A&M University. His ensuing twelve-year tenure as Music Director of the Brazos Valley Symphony Orchestra and Brazos Sinfonietta was lauded by visiting artists of international stature as a model for regional orchestras in the United States.