Monday, March 10, 2014
For his debut at Blaffer Art Museum, the artist’s first solo museum exhibition, Coolquitt will recombine 60 discrete sculptures and tableaux made between 2006 and 2011 into a site-specific installation which, in its singularity and temporariness, reflects on the condition of the gallery space as a codified place of encounter for people and works of art. The exhibition will also include pieces that occupy a hybrid position between autonomous artworks by Coolquitt and what the artist calls somebody-mades and in-betweens. Somebody-mades are assemblages of objects that are presented just as the artist found them in the streets, while in-betweens combine such found assemblages with interventions of his own. Presented alongside and interspersed with his own work, these elements serve to further complicate the relationship between the contexts of creation and reception, artist and audience, and blur the boundaries between art and life.
The exhibition will be accompanied by a fully-illustrated monograph co-published by Blaffer Art Museum and University of Texas Press with contributions by Rachel Hooper, Dan Fox, Matthew Higgs, and Jan Tumlir.
Immanuel & Helen Olshan Texas Music Festival Celebratory Opening Concert!
6:30 - Celebration on the Plaza, 6:45 - Settling the Score Pre-concert Lecture, 7:30 - Concert.
- Franz Anton Krager - Conductor
- Matthew Straus - Percussion
- Ted Atkatz - Percussion
Featured Works by:
- Mark-Anthony Turnage: Fractured Lines, double percussion concerto on a tune by Peter Erskine
- Piotr Tchaikovsky: Selections from The Sleeping Beauty (suite from the ballet), Op. 66a
- Igor Stravinsky: The Rite of Spring - Celebrating the 100th anniversary of the premiere of Rite of Spring