The telenovela is one of the most popular products of Latin America. It is a format that exploits the world market through the articulation and preservation of cultural difference, and at the same time serves as a powerful tool of self-representation and the re-signification of the continentís colonial legacy. soy mi madre (2008) by Phil Collins and Crying for the March of Humanity (2012) by Christian Jankowski both employ the format of the telenovela for critical purposes that draw on the aesthetics of the melodrama to talk about issues of immigration, class and race, and the relationship between arts, media and politics.
The University of Houston Libraries now offers a series of technology training courses open to all UH students, faculty and staff. Courses cover Microsoft Office: Word, Excel, Access and PowerPoint, and content are tailored for basic, intermediate and advanced skill levels. More courses will be added to the rotation, including training on software such as Outlook, Adobe Photoshop, InDesign and other commonly-used programs. Sessions run for 30 minutes to 2 hours, depending on the topic and skill level, and most sessions will take place in the Learning Commons training areas. Requests for group training will be considered in the future. The full training calendar is posted online and is updated on a monthly basis. Seating is limited to about 15 people per session and currently first come, first serve basis. See upcoming Training Sessions: http://info.lib.uh.edu/services/library-technology/training
Anton Ginzburg: Terra Corpus January 18-March 15, 2014 Members-only reception: January 17, 6-7pm Public opening and reception: January 17, 7-9pm. For his: Brown Bag Gallery Talks are an important part of our public programs and are held with each exhibition. The format is flexible: using their own vantage point, speakers approach a museum exhibition using their expertise as artists, art historians, and scholars or professionals in a wide range of disciplines. After the talk, visitors are encouraged to say and to continue conversations during a brown bag lunch. John Harvey received his Bachelor of Arts in English form Wayne State University in Detroit, Michigan. He then completed his Masters and Doctorate in Creative Writing at The University of Houston. His poems have appeared in such journals as The Gettysburg Review, Ghost Ocean Magazine, Gulf Coast, The Paris Review, 2River, and Weave Magazine. As Resident Playwright for Mildredís Umbrella Theater Company he has penned numerous plays, which have been performed in Austin, Galveston, Houston and New Orleans. His newest play Rome will premiere in March at Spring Street Studios. John Harvey serves as Director of the Center for Creative Work and is an Assistant Professor at The Honors College. For the annual Dionysia produced every spring since 2009, he has adapted and directed the works of Aeschylus, Aristophanes, Euripides, Sophocles and Homer. He currently serves on the Artistic Board at DiverseWorks. museum debut in the United States, Anton Ginzburg will present At the Back of the North Wind and Walking the Sea, part one and two of a trilogy of works in film, photography, sculpture and painting developed around historical and cultural conceptions of mythical or legendary landscapes and places that have conquered popular imagination and spawned collective memories.
UH Women's Basketball vs. Temple