SHOWS MUST GO ON: ALBEE WORKSHOP WITHOUT
ITS NAMESAKE THIS SEASON
UH’s Annual Theater Project Takes the Stage Under Lanford
Wilson’s Guidance
HOUSTON, April 13, 2004 – Never has the theater’s
rallying cry been more appropriate – the show must go on.
For the first time in 15 seasons, the annual Albee Playwrights’
Workshop will be presented without its founder and namesake, Edward
Albee, at the helm.
Albee, the acclaimed dramatist who has taught at the University
of Houston since 1989, was unable to meet with his playwriting and
production classes this semester due to a family illness. At Albee’s
invitation, his esteemed colleague in the theater, Pulitzer Prize-winning
playwright Lanford Wilson, has taught the courses and is overseeing
production of the six original plays. They will be presented at
Stages Repertory Theatre April 16-19, 23-25. Admission is free,
but there is a $3 parking charge.
“Being involved with talented young people who so passionately
love the theater has been invigorating,” said Wilson. “I’ve
really appreciated the opportunity to fill in for Edward –
but I know he’s eager to return.”
UH School of Theatre Director Sidney Berger confirmed that Albee
would be back next year.
“Of course, having Lanford work with us this season has
been a rare privilege,” Berger added.
The Playwrights’ Workshop takes the scripts of promising new
writers and, after a semester of revision and preparation, mounts
the works as actual productions, offering Houston audiences an uncommon
theatrical opportunity.
This year’s Playwrights’ Workshop lineup:
- “Jesus and Phoebe,” by Tommy Le Vrier. A lost adolescent
finds acceptance from an unlikely stranger. 8 p.m., April 16;
4:30 p.m., April 17.
- “Star Flower Sanctuary,” by Ann Stingle. A grieving
woman seeks solace at the beach. 7:30 p.m., April 23; 4:30 p.m.,
April 24.
- “Claustrophobia,” by Mary Ellen Whitworth. One woman’s
struggle to understand humanity’s need to find peace and
order, sort of. 8 p.m., April 24; 3 p.m., April 25.
- “Poet,” by Peter Wittenberg. An unhappy salesman
discovers he’s a poet. 8 p.m., April 17; 3 p.m.,
April 18.
- “A Private Dance,” Brian Wolf. After an extreme
bachelor party, a young man struggles to accept the life choices
he’s making. 7:30 p.m., April 23; 4:30 p.m., April 24.
- “Wondergirl,” by Rutherford Cravens. Set in a neonatal
intensive care unit, the play examines issues raised by medical
technology and a young couple’s relationship. 8 p.m., April
16; 4:30 p.m., April 17.
- “Biology, 4th Period,” by Lou Amyx. Six teens at
high school find their lives disrupted with the arrival of a seventh.
7:30 p.m., April 23; 4:30 p.m., April 24.
For more information about the workshop, visit http://www.class.uh.edu/theatre/Performance/newplays.htm
For information about Stages Repertory Theatre, visit http://www.stagestheatre.com/
About the University of Houston
The University of Houston, Texas’ premier metropolitan research
and teaching institution, is home to more than 40 research centers
and institutes and sponsors more than 300 partnerships with corporate,
civic and governmental entities. UH, the most diverse research university
in the country, stands at the forefront of education, research and
service with more than 35,000 students.
For more information about UH visit the universitys Newsroom at www.uh.edu/admin/media/newsroom.
|